Many of us grew up in a world where nothing was gay only to soon discover that, according to some, everything has become too gay. Pepo Moreno’s acrylic on paper pieces, which with shaky stroke and saturated colors represent food, celebrities, plants, drugs, animals, saints, politicians, feelings, dictators and entities with wild eyes and smiles frozen in time, work as celebration, parody and demands of the gay agenda which corrupts the world.
